As if drawn to a new way of seeing and attracted by Claude Monet's liberated brushstrokes, many American painters joined the Impressionist experience. Around 30 of them, presented at Giverny, meticulously depicted nature to capture its quintessence and emotional impact.
John Leslie Breck (1859-1899), Études d’un jour d’automne nº 2 (Studies of an Autumn Day No. 2), 1891, oil on canvas, 32.7 x 41.1 cm (detail), Chicago, Terra Foundation for American Art, Daniel J. Terra Collection.
© Terra Foundation for American Art, Chicago