Anna-Eva Bergman (1909-1987)

Mark Tobey and Anna-Eva Bergman, both upholders of an exacting art, wrote their names in capital letters on a silver background.

Louise Bourgeois, Anna-Eva Bergman (2023) and Frida Kahlo (2024), as well as the Fredriksen Collection and Scandinavian design (2022), will be the focus of the new National Museum of Art, Architecture and Design. The museum, which will become the largest in Nordic Europe, will open in Oslo in June.

Women are in the spotlight in Parisian museums: Anna-Eva Bergman at MAM, Sarah Bernhardt at the Petit Palais, Frida Kahlo at the Galliera and the Parisian women at the Carnavalet. There is also F. Petrovitch at Vie Romantique, P. Cognée at Bourdelle and an exploration of ink at Cernuschi and pastel at the Cognac-Jay.

Blue and White Calligraphy from 1962 sold for €910,000 under Millon's hammer, giving the Wisconsin artist his second-highest price at auction. In the same sale Montagne d'or (Golden Mountain) by Anna-Eva Bergman also climbed to the second-highest price at auction for the Norwegian painter.

Anna Boch, the only woman who exhibited at the Salon des XX in Brussels, was an artist, musician and collector of paintings by Paul Gaugin, Vincent Van Gogh, Georges Seraut, Paul Signac and Lucie Cousturier

Curator of the Pinault Collection Jean-Marie Gallais sets out to create a mise en abyme of the Villa Carmignac’s island setting. Nestled on the island of Porquerolles, the exhibition shows how artists sometimes keep reality at a distance to better explore their inner worlds. More than eighty works - the majority...

In terms of gesture, color and material, this work painted in 1977 by Hans Hartung illustrates the artist's particular explorations of lyrical abstraction.

Anna Boch is one of the few Belgian women artists, philanthropists and patrons of the arts to have achieved international fame on a par with their male counterparts. The Mu.ZEE in Ostend pays her a vibrant tribute.

Hans Hartung's first abstract painting, purchased at a public auction in Germany on June 18, has joined the collection of his foundation in Antibes. T1931-1 complements the three other paintings in the same group already owned by the institution. It was acquired by the collector Friedrich Bienert.

The site, built 50 years ago by the leading abstractionist couple, was only accessible only for one single weekly group visit. But after enlargement of the spaces and the creation of a system of reception of the public, the foundation will open its doors, from May till September.