Capezzale in gilded copper, enamel and coral carved... Lot 87

Capezzale in gilded copper, enamel and coral carved in the "intarsia" technique depicting the Assumption of the Virgin Mary, the reverse engraved with scrolls. Sicily, Trapani, late 17th - early 18th century. 28 x 23 cm (missing, oxidized, slight dents on reverse) Prior to any purchase of this lot containing coral, it is the responsibility of the successful bidder to check with the customs authorities of the country concerned, particularly the United States, if the lot is to be exported. From ancient myth to Christian mystery, many virtues have been attributed to coral. A widespread belief associated it with supernatural powers of healing or fertility, while Catholic iconography used it to symbolize the blood of Christ and the Redemption. A highly prized material, used in its natural or sculpted form, it adorns complex objets d'art with both religious and secular subjects. From the Renaissance onwards, production was concentrated in several European centers, including Landshut in Bavaria, Spain and Sicily. Due to its rarity and the interest shown in it by scientists, coral became one of the most popular materials for creating objects for cabinets of curiosities. Trapani remains the most important production center. A coastal city with an ideal geography, Trapani owes its development to the Viceroy's Court, which commissioned many ornamental and fantasy items. Craftsmen sculpted coral in various forms, sometimes combined with enamel, on supports generally made of gilded copper. Thanks to its rich natural resources, including large coral reefs, the city became one of the main Mediterranean trading ports. The power of the merchants and the wealth of the clergy contributed to the large-scale development of goldsmithing from the 16th century onwards. The establishment of the "Arte dei corallari" coral craftsmen's guild in 1628 testifies to strong demand and prosperity. Coral objects, mostly religious, such as crucifixes, monstrances, capezalle, holy-water fonts and altars, were acquired for church treasuries. Secular objects, such as frames, mirrors, tazze and vases, were used by the nobility. Considered rare and precious, coral was offered as diplomatic gifts to the various European courts. Our capezzale bears witness to the refinement of Trapani craftsmanship. The finesse of the carvings, the richness of the decoration and the attention to detail bear witness to an era of luxury and splendor. Presumably intended for private devotion, it features an interior compartment.