Pair of vases, China, Qing dynasty, 19th century. Enamelled... Lot 19

Pair of vases, China, Qing dynasty, 19th century. Enamelled copper. Yellow family. Size: 34,3 x 10,5 x 10,5 cm (x2). Pair of vases of great singularity made in enamelled copper. The pieces have an exceptional design based on pure geometrical shapes, in such a way that they have a primatic format based on the square, with four flat walls. As for the ornamentation, they belong to the yellow family, one of the least frequent typologies, being outnumbered by pieces from the pink or green family. Both pieces have the same profuse ornamental design as is usual for this type of vase. Although despite the large number of elements that can be seen in each of the pieces, each of the areas is ornamentally differentiated, as can be seen in the base, the mouth and the centre, where the presence of a large pictogram stands out. One of the most characteristic features of both pieces is the presence of poly-lobed openwork elements. Under the Qing, inherited art forms flourished and innovations took place on many levels and in many types. High levels of literacy, a successful publishing industry, thriving cities and a Confucian emphasis on cultivation nurtured a lively and creative set of cultural fields. By the end of the 19th century, the national artistic and cultural worlds had begun to reconcile with the cosmopolitan culture of the West and Japan. The decision to remain within the old forms or to welcome Western models was now a conscious choice rather than an unquestioning acceptance of tradition. Classically trained Confucian scholars. The Qing emperors were generally skilled in poetry and often skilled in painting, and offered their patronage to Confucian culture.