Auction 15 April 2024 Spring auction of Old Masters

Lot n° 1

Jan Brueghel the Elder (1568–1625) – Follower. Probably Balthasar Beschey

Busy country road The painting shows a busy country road filled with carriages and riders. On the left in the foreground a group of people are resting, including a woman who is breastfeeding her child. The rising white horse with the noble rider draws...

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Lot n° 2

Mattia Preti (1613 - 1699)

The canvas depicts three figures in a very close framing and with a three-quarter figure cut. On the right-hand side, a man is placing an artichoke in his basket while focusing his attention to a young woman in humble attire, who is gently laundering...

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Lot n° 3

Jan Peeter Verdussen (1700–1763) – atributed

The two counterparts show two battles in the Great Turkish War, the Battle of Vienna from 1683 and the Battle of Párkány from 1683. Both images have tapes with captions in Spanish The two counterparts depict significant battles from the Great Turkish...

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Lot n° 4

Francesco Zuccarelli (1702-1788)

1)Landscape with a Shepherd Family by a Well 2) Landscape with Shepherds by the River Zuccarelli is one of the most important figures among the landscape painters of mid-18th-century Venice. His time in London from 1742 to 1752 preceded his key role...

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Lot n° 5

Johann Conrad Seekatz (1719–1768)

Johann Conrad Seekatz got a job position as a court painter in Darmstadt in 1753, yet he sold many of his works in Frankfurt due to the city's abundance of affluent collectors. He painted predominantly small-format paintings featuring genre scenes,...

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Lot n° 6

Brouver Adriaan (1608-1640), Attributed

Brouver Adriaan (1608-1640), Attributed Tavern scene Oil on oak panel 45 x 39 cm,

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Lot n° 7

Netherlands painter of the 17/18th century

Jan Hermansz. van Bijlert (1597-1671) , Attributed. The picture shows interior with festive banquet. To the left, a group engages in musical performance, while to the right, a nobleman sings. Oil on wood 55 x 67 cm.

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Lot n° 8

Flemish Masters, 17th century

In the centre of attention of the image is a plate of assorted fruits and a porcelain vase positioned atop of stone tabletop, illuminated by light. The tablecloth, fashioned from green velvet, is artfully pushed back. The plate, slightly angled, rests...

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Lot n° 9

David de Heem (1663-1701) - attributed to

David de Heem was the son of the still life painter Cornelis de Heem and grandson of Jan Davidsz de Heem, the most famous representative and founder of this dynasty, who broke new ground in still life painting by combining Flemish splendor with Dutch...

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Lot n° 10

Antonio Calza (1658-1725) , Attributed

The painting shows a dynamic battle scene featuring both horsemen and infantry engaged in intense combat. The tension and movement of the scene are effectively captured through the dynamic poses of the figures. The main point of the action is situated...

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Lot n° 11

Jan Breughel the Younger (1601–1678)

In a sparse forest landscape, Diana, the goddess of the hunt, is depicted seated on the right side of the composition. She is surrounded by her loyal hunting dogs, all of whom direct their attention towards her. Diana has momentarily set aside her hunting...

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Lot n° 12

Francesco Fontebasso (1707-1769) Attributed

The biblical scene unfolds as Moses, abandoned and floating in a basket on the banks of the Nile, is discovered by Pharaoh's daughter. Positioned centrally, the princess stands surrounded by two attendants, while a servant shelters her beneath a parasol....

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Lot n° 13

Flemish School, 18th century

The painting shows Diana and her nymphs after bathing. In the centre, Diana is sitting on a boulder with a blue cloth over her. She has crossed one leg over the other so that a nymph can tie the sandal around her and is leaning on another companion. In...

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Lot n° 14

Pauwels Franck, called . Paolo Fiammingo (1540/1546-1596) - attributed to

Positioned prominently in the foreground on the right, Noah stands alongside his wife and daughter-in-law, while his son, depicted only by his head, carries a metal vessel. Noah's wife wears a flat, wide-brimmed headdress reminiscent of the fashion of...

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Lot n° 15

Erasmus Quellinus II (1607-1678) - attributed to

The painting shows a touching encounter between a man and a woman, which the painter has captured accurately in the posture, gestures and facial expression. In a landscape, a richly dressed, blonde shepherdess sits on a stone by a tree on the right with...

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Lot n° 16

Flemish painter, 17th century,

In the left portion of the composition, farmers have gathered outdoors in front of a tavern, engaging in social activities such as drinking and smoking. The tavern's sign, displaying a crescent moon, is prominently featured. On the right side, the scene...

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Lot n° 17

Germany Around 1520, Frankfurt region

The painting presents a genre scene set in a late Gothic interior that is described with great detail. A mother tenderly tends to her child's needs, while a maid stands nearby, ready with a cloth to swaddle the infant in a fresh diaper. A young boy sits...

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Lot n° 18

Germany, Late 15th Century

The scene depicts the angel Gabriel within a niche, framed by a basket arch, oriented towards the right. Mary, whom he addresses, is implied to be painted on a separate panel, with only her face and hands depicted in color. The robe and niche are rendered...

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Lot n° 19

Master of the Misericordia active in the third quarter of the 14th Century

Mary and Christ are depicted seated on cushions, facing each other, upon a regal throne set against a golden background. With both hands, Christ reverently places the crown, signifying Mary as the Queen of Heaven, upon his mother's head. Mary, in a gesture...

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Lot n° 20

Cranach School, around 1525

Saint Elisabeth of Thuringia (1207–1231), daughter of a Hungarian king and later Landgravine of Thuringia through marriage, is renowned for her charitable endeavors, symbolized by the loaves of bread she carries. Canonized in 1235, she stands before a...

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Lot n° 21

Florentine master, first half of the 16th century.

In this composition, Saint Catherine of Siena is presented within her own painted stone frame, resembling a picture within a picture. She appears as a half-length figure turned to the left with her head almost in profile against a black background. Dressed...

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Lot n° 22

Swabia around 1520

The painting shows Madonna with baby Jesus both surrounded bz a radiant halo against a dark background. Mary is adorned in a white cloak with a crimson lining draped over a cobalt blue dress. She tenderly holds the child in her right arm, while gracefully...

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Lot n° 23

German Master late 16th century

A putto lies upon a white cloth, his head resting against a skull partially concealed beneath the fabric. Balanced on his raised left hand is a sparrow, while his right hand rests upon an hourglass, symbolizing the passage of time. A toy spaniel runs...

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Lot n° 24

Hendrick van Balen (c. 1573-1632)

Mary is seated within a landscape positioned in front of a tree, holding the infant Jesus on her lap. She leans towards the kneeling figure of the young John, who extends his hand towards Jesus The infant Jesus, while supported by Mary, also reaches out...

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Lot n° 25

Jacopo Amigoni (1682–1752)

Jacopo Amigoni - born in Naples and died in Madrid, studied in Venice and is one of the most important Venetian rococo painters. His artistic endeavors extended across various European localities, including Germany, London, Venice, and Madrid, thus disseminating...

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Lot n° 26

Bernardino Cesari (1571–1622)

Bernardino Cesari was the brother of the famous Giuseppe Cesari, called Cavaliere D'Arpino (1568–1640) and worked as his assistant. The baby Jesus is peacefully sleeping upon his bed, his head turned towards the viewer. his head gently turned towards...

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Lot n° 27

Gaspar de Crayer (1584-1669) - Attributed

Mary with Child and St Mary Magdalene, St Cecilia, St Dorothea, St Catherine and St Augustine. In this portrayal, Mary is seated on a throne with the infant Jesus, while various female saints approach from the left to pay homage. A basket of grapes and...

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Lot n° 28

Giovanni Odazzi (1663–1731)

Mary, seated beneath a tree, cradles the baby Jesus on her lap, his gaze directed towards the viewer. As an expression of humility, Mary rests her hand on her chest, while an angel kneels nearby, offering a basket to the infant Jesus. Joseph stands behind...

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Lot n° 29

Giovanni Giacomo Sementi / Semenza (1580-1638

Sementi was a pupil of Denijs Calvaert (1540-1619) and later of Guido Reni (1575-1642), a prominent master of the Bolognese school. In the artwork, a seated man with a bare upper body holds a rosary in his hands while being visited by a figure in a...

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Lot n° 30

Roman Master , around 1600

The Nativity with the Adoration of the Shepherds traditionally portrays a nocturnal setting, yet in this painting, the anonymous artist presents a charming and convincing compositional approach. The infant Jesus, nestled in the manger atop a white cloth,...

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Lot n° 31

Venetian master around 1600

The painting shows the kinship of Jesus, unusually combined with the depiction of King David, from whose house Jesus came via his father Joseph. Many of the figures are identified by inscriptions. Mary and Anna are seated on the throne in a church building....

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Lot n° 32

Master of the Neapolitan School of the 17th Century

The saint of the order, identified by his wounds, is depicted in a sleeping posture. According to legend, he had a vision in which an angel appeared to him with a violin. This depiction of legends can be found in many painters, especially from the 17th...

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Lot n° 33

Venetian master, second half of the 17th century

According to the biographies, the vision of an angel playing a lute or violin in heaven transpired in 1225, just one year prior to the passing of St. Francis. In this painting, the celestial being appears to St. Francis as he engages in scripture reading...

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Lot n° 34

Roman master, 17th century, Bozzeto

The Lamb of God lies on a golden altar supported by putti and is honoured with singing and incense by the surrounding angels sitting on clouds. The theme is derived from the Revelation of John (Rev 14:1). The angels are divided into five groups. The group...

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Lot n° 35

Jacob Pynas (1592/1593-1650/1660) - attributed to

The painting captures the poignant encounter between the risen Christ and Mary Magdalene, as recounted in John 20:11-18. The artist skillfully imbues the scene with profound emotional depth, evident in the expressive postures and facial expressions of...

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Lot n° 36

Dutch master, late 17th century

In this depiction of the newborn Jesus in the Temple in Jerusalem, the prophet Simeon guided by the Holy Spirit, recognizes the Messiah in the baby Jesus. Fulfilled by a divine promise, Simeon, depicted as an elderly figure clad in a wide, reddish-brown...

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Lot n° 37

German Master 18th century

German Master 18th century The Last Supper Oil on wood 43x 32cm

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Lot n° 38

Paul Troger (1698-1762), Attributed

Paul Troger worked in Venice, where he was in contact with painters such as Piazzetta and Federico Bencovich, and in Rome, where he was employed by Giuseppe Maria Crespi. Later, still in Italy, he studied with Sebastiano Ricci in Venice and with Francesco...

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Lot n° 39

Spanish painter of the 17th century.

The depiction of Mary as a girl standing on the crescent moon became a widespread and popular theme in the visual arts in Catholic countries in the 17th century. It symbolises the immaculate conception of Mary, meaning that she was born free of original...

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Lot n° 40

Painter 18th century

Painter 18th century SAINTS ANNA AND JOACHIM TEACHING MARY Oil on canvas on wood , 61 x 49 cm

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Lot n° 41

Italian Master 17th century

Italian Master 17th century The Mystical Marriage of Saint Catherine Oil on canvas, 85 x 68 cm

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Lot n° 42

18th century European painter

Coronation of Mary 18th century European painter Oil on canvas 99 x 73 cm

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Lot n° 43

Italian painter of the 17th century

Cain stands over his brother with his arms raised, ready to kill him with a log in the next moment. Abel is lying on the ground, supporting himself with his left arm and raising his right arm in supplication. With his head thrown back, his face shows...

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Lot n° 44

Elisabetta Sirani (8 January 1638 – 28 August 1665)

Elisabetta Sirani was the daughter of Andrea Sirani, an employee of Guido Reni (1575–1642), and belongs to the Bolognese school. She founded an art academy for women in Bologna and was one of the first artists admitted to the Accademia di San Luca in...

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Lot n° 45

In a small space, the painter sketched...

In a small space, the painter sketched the Evangelist Markus with sweeping strokes. He sits on a chair with an ornate backrest facing to the right at a table, holding a quill in his right hand to write down the Gospel. With his head turned to the side...

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Lot n° 46

Neapolitan master, second half of the 17th century

Facing to the left, Matthew sits at the writing desk while composing the Gospel. Raising his hand with his pen and placing the finger of the other hand on the place in the book where he is writing, he turns his head to the angel, who explains to him the...

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Lot n° 47

Josef Winterhalder (1743–1807) – attributed

In the cave with the grave, Christ, held by angels, lies and mourned on the sarcophagus. The crown of thorns lies on a stone on the floor. An angel supports the upper body and holds a hand of Christ. The angel hugs his head on the head of Jesus in mourning....

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Lot n° 48

Rembrandt school of the 17th century

An old man with a full white beard sits in front of a neutral background, his upper body is turned to the left and his head is turned to the side. The old man has his mouth open to speak, but looks past the viewer and addresses an imaginary person outside...

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Lot n° 49

Italy 17th/18th century

The medallion shows the head of an old man with white, long, messy hair, a bald forehead and a long beard, dressed in a brown robe. His head is bowed and tilted to the side, his eyes are closed. The hermit is lost in meditation. The light catches the...

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Lot n° 50

Domenico Robusti, also known as Domenico Tintoretto, (1560 – 17 May 1635)

Domenico Tintoretto was the son of Jacopo Tintoretto, whose workshop he worked for and whose style he continued. The portrait shows a general in black armor facing right, holding the general's baton in his right hand and his left hand resting on his...

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Auction 15 April 2024 Spring auction of Old Masters - Prague

Bid on the lot list Fine Antiques Prague s.r.o : 15 April 2024 - <p><br></p> Fine Antiques Prague s.r.o - Prague

Spring auction of Old Masters

Jan Brueghel the Elder (1568–1625) – Follower. Probably Balthasar Beschey

Busy country road The painting shows a busy country road filled with carriages and riders. On the left in the foreground a group of people are resting, including a woman who is breastfeeding her child. The rising white horse with the noble rider draws...

Mattia Preti (1613 - 1699)

The canvas depicts three figures in a very close framing and with a three-quarter figure cut. On the right-hand side, a man is placing an artichoke in his basket while focusing his attention to a young woman in humble attire, who is gently laundering...

Jan Peeter Verdussen (1700–1763) – atributed

The two counterparts show two battles in the Great Turkish War, the Battle of Vienna from 1683 and the Battle of Párkány from 1683. Both images have tapes with captions in Spanish The two counterparts depict significant battles from the Great Turkish...

Francesco Zuccarelli (1702-1788)

1)Landscape with a Shepherd Family by a Well 2) Landscape with Shepherds by the River Zuccarelli is one of the most important figures among the landscape painters of mid-18th-century Venice. His time in London from 1742 to 1752 preceded his key role...

Johann Conrad Seekatz (1719–1768)

Johann Conrad Seekatz got a job position as a court painter in Darmstadt in 1753, yet he sold many of his works in Frankfurt due to the city's abundance of affluent collectors. He painted predominantly small-format paintings featuring genre scenes,...

Brouver Adriaan (1608-1640), Attributed

Brouver Adriaan (1608-1640), Attributed Tavern scene Oil on oak panel 45 x 39 cm,

Netherlands painter of the 17/18th century

Jan Hermansz. van Bijlert (1597-1671) , Attributed. The picture shows interior with festive banquet. To the left, a group engages in musical performance, while to the right, a nobleman sings. Oil on wood 55 x 67 cm.

Flemish Masters, 17th century

In the centre of attention of the image is a plate of assorted fruits and a porcelain vase positioned atop of stone tabletop, illuminated by light. The tablecloth, fashioned from green velvet, is artfully pushed back. The plate, slightly angled, rests...

David de Heem (1663-1701) - attributed to

David de Heem was the son of the still life painter Cornelis de Heem and grandson of Jan Davidsz de Heem, the most famous representative and founder of this dynasty, who broke new ground in still life painting by combining Flemish splendor with Dutch...

Antonio Calza (1658-1725) , Attributed

The painting shows a dynamic battle scene featuring both horsemen and infantry engaged in intense combat. The tension and movement of the scene are effectively captured through the dynamic poses of the figures. The main point of the action is situated...

Jan Breughel the Younger (1601–1678)

In a sparse forest landscape, Diana, the goddess of the hunt, is depicted seated on the right side of the composition. She is surrounded by her loyal hunting dogs, all of whom direct their attention towards her. Diana has momentarily set aside her hunting...

Francesco Fontebasso (1707-1769) Attributed

The biblical scene unfolds as Moses, abandoned and floating in a basket on the banks of the Nile, is discovered by Pharaoh's daughter. Positioned centrally, the princess stands surrounded by two attendants, while a servant shelters her beneath a parasol....

Flemish School, 18th century

The painting shows Diana and her nymphs after bathing. In the centre, Diana is sitting on a boulder with a blue cloth over her. She has crossed one leg over the other so that a nymph can tie the sandal around her and is leaning on another companion. In...

Pauwels Franck, called . Paolo Fiammingo (1540/1546-1596) - attributed to

Positioned prominently in the foreground on the right, Noah stands alongside his wife and daughter-in-law, while his son, depicted only by his head, carries a metal vessel. Noah's wife wears a flat, wide-brimmed headdress reminiscent of the fashion of...

Erasmus Quellinus II (1607-1678) - attributed to

The painting shows a touching encounter between a man and a woman, which the painter has captured accurately in the posture, gestures and facial expression. In a landscape, a richly dressed, blonde shepherdess sits on a stone by a tree on the right with...

Flemish painter, 17th century,

In the left portion of the composition, farmers have gathered outdoors in front of a tavern, engaging in social activities such as drinking and smoking. The tavern's sign, displaying a crescent moon, is prominently featured. On the right side, the scene...

Germany Around 1520, Frankfurt region

The painting presents a genre scene set in a late Gothic interior that is described with great detail. A mother tenderly tends to her child's needs, while a maid stands nearby, ready with a cloth to swaddle the infant in a fresh diaper. A young boy sits...

Germany, Late 15th Century

The scene depicts the angel Gabriel within a niche, framed by a basket arch, oriented towards the right. Mary, whom he addresses, is implied to be painted on a separate panel, with only her face and hands depicted in color. The robe and niche are rendered...

Master of the Misericordia active in the third quarter of the 14th Century

Mary and Christ are depicted seated on cushions, facing each other, upon a regal throne set against a golden background. With both hands, Christ reverently places the crown, signifying Mary as the Queen of Heaven, upon his mother's head. Mary, in a gesture...

Cranach School, around 1525

Saint Elisabeth of Thuringia (1207–1231), daughter of a Hungarian king and later Landgravine of Thuringia through marriage, is renowned for her charitable endeavors, symbolized by the loaves of bread she carries. Canonized in 1235, she stands before a...

Florentine master, first half of the 16th century.

In this composition, Saint Catherine of Siena is presented within her own painted stone frame, resembling a picture within a picture. She appears as a half-length figure turned to the left with her head almost in profile against a black background. Dressed...

Swabia around 1520

The painting shows Madonna with baby Jesus both surrounded bz a radiant halo against a dark background. Mary is adorned in a white cloak with a crimson lining draped over a cobalt blue dress. She tenderly holds the child in her right arm, while gracefully...

German Master late 16th century

A putto lies upon a white cloth, his head resting against a skull partially concealed beneath the fabric. Balanced on his raised left hand is a sparrow, while his right hand rests upon an hourglass, symbolizing the passage of time. A toy spaniel runs...

Hendrick van Balen (c. 1573-1632)

Mary is seated within a landscape positioned in front of a tree, holding the infant Jesus on her lap. She leans towards the kneeling figure of the young John, who extends his hand towards Jesus The infant Jesus, while supported by Mary, also reaches out...

Jacopo Amigoni (1682–1752)

Jacopo Amigoni - born in Naples and died in Madrid, studied in Venice and is one of the most important Venetian rococo painters. His artistic endeavors extended across various European localities, including Germany, London, Venice, and Madrid, thus disseminating...

Bernardino Cesari (1571–1622)

Bernardino Cesari was the brother of the famous Giuseppe Cesari, called Cavaliere D'Arpino (1568–1640) and worked as his assistant. The baby Jesus is peacefully sleeping upon his bed, his head turned towards the viewer. his head gently turned towards...

Gaspar de Crayer (1584-1669) - Attributed

Mary with Child and St Mary Magdalene, St Cecilia, St Dorothea, St Catherine and St Augustine. In this portrayal, Mary is seated on a throne with the infant Jesus, while various female saints approach from the left to pay homage. A basket of grapes and...

Giovanni Odazzi (1663–1731)

Mary, seated beneath a tree, cradles the baby Jesus on her lap, his gaze directed towards the viewer. As an expression of humility, Mary rests her hand on her chest, while an angel kneels nearby, offering a basket to the infant Jesus. Joseph stands behind...

Giovanni Giacomo Sementi / Semenza (1580-1638

Sementi was a pupil of Denijs Calvaert (1540-1619) and later of Guido Reni (1575-1642), a prominent master of the Bolognese school. In the artwork, a seated man with a bare upper body holds a rosary in his hands while being visited by a figure in a...

Roman Master , around 1600

The Nativity with the Adoration of the Shepherds traditionally portrays a nocturnal setting, yet in this painting, the anonymous artist presents a charming and convincing compositional approach. The infant Jesus, nestled in the manger atop a white cloth,...

Venetian master around 1600

The painting shows the kinship of Jesus, unusually combined with the depiction of King David, from whose house Jesus came via his father Joseph. Many of the figures are identified by inscriptions. Mary and Anna are seated on the throne in a church building....

Master of the Neapolitan School of the 17th Century

The saint of the order, identified by his wounds, is depicted in a sleeping posture. According to legend, he had a vision in which an angel appeared to him with a violin. This depiction of legends can be found in many painters, especially from the 17th...

Venetian master, second half of the 17th century

According to the biographies, the vision of an angel playing a lute or violin in heaven transpired in 1225, just one year prior to the passing of St. Francis. In this painting, the celestial being appears to St. Francis as he engages in scripture reading...

Roman master, 17th century, Bozzeto

The Lamb of God lies on a golden altar supported by putti and is honoured with singing and incense by the surrounding angels sitting on clouds. The theme is derived from the Revelation of John (Rev 14:1). The angels are divided into five groups. The group...

Jacob Pynas (1592/1593-1650/1660) - attributed to

The painting captures the poignant encounter between the risen Christ and Mary Magdalene, as recounted in John 20:11-18. The artist skillfully imbues the scene with profound emotional depth, evident in the expressive postures and facial expressions of...

Dutch master, late 17th century

In this depiction of the newborn Jesus in the Temple in Jerusalem, the prophet Simeon guided by the Holy Spirit, recognizes the Messiah in the baby Jesus. Fulfilled by a divine promise, Simeon, depicted as an elderly figure clad in a wide, reddish-brown...

German Master 18th century

German Master 18th century The Last Supper Oil on wood 43x 32cm

Paul Troger (1698-1762), Attributed

Paul Troger worked in Venice, where he was in contact with painters such as Piazzetta and Federico Bencovich, and in Rome, where he was employed by Giuseppe Maria Crespi. Later, still in Italy, he studied with Sebastiano Ricci in Venice and with Francesco...

Spanish painter of the 17th century.